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My first professional job as part of the union was Mamma Mia. I got that job right before my senior year of college. We had casting directors come in and teach audition workshops at NYU, and from there they called me to audition for Sophie. I got the job after a few auditions, and I went on tour for a year and a half. I finished up my degree during the summer of the following year.
The rehearsal process for me was mostly watching and retaining. Because we were in rehearsal in New York for 5 weeks before tech, and then had 2 weeks of tech, I had about 9 weeks of watching before I really got on my feet. And then I touched on each scene a few times, had a put in and had to be ready to go!
My first perf
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[referring to her time in Mamma Mia!]: It's always a challenge going from one production of a show to another because each company is different. And as a performer I am used to specific things, as well as the actors I am onstage with. But that is also exciting to see other people choices and what they bring to their character. It's always a gift to see what a new performer brings out in you.
In all of my spare time backstage, I learned how to play the guitar and I started writing music on both guitar and Piano. It's always something I wanted to do, and now I had the time and the courage to start! I have loved doing that. :) I am hoping to record an album in the next year, too!
As far as dream roles go, Elphaba was always a dream role of mine. But as far as the future goes, I would really love to create a role and be a part of an original company. So I don't think I have that perfect role in mind yet, because the show may not be written! :)
We thank Carrie for this wonderful insight into her life as a standby for Elphaba, and we hope so see her someday promoted into the leading role!
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